Nemesis, a Netflix drama-thriller, revolves around conflict, revenge, and the shifting power dynamics among its central characters. The narrative delves into how personal vendettas and concealed motives unfold, culminating in intense confrontations and high-stakes situations. Set in the world of LA crime drama, the story pits master thief Coltrane Wilder against detective Isaiah Stiles.
This clash challenges the conventions of the heist genre while exploring the forces that drive, sustain, and ultimately destroy individuals.A fast-paced show with a limited time to deliver but the team never gave up,and they delivered about 72 shots! Raining from monitor comps to split screens bur primarily compositing.
Categories: Episodic
Stranger Things – Season 5
Stranger Things – Season 5 marks the final chapter of the series, bringing the story in Hawkins to a high-stakes conclusion as the characters confront their most formidable threat from the Upside Down. The season ties together long-running arcs with a darker, more intense tone.
One of the most anticipated show of the decade, even though we haven’t contributed as much as we think but we can proudly say that we delivered approximately 29 support plate prep shots.
Spider-Man Noir ( Season 1 )
Spider Noir, an Amazon-backed live-action reimagining of the Spider-Man universe, unfolds against a captivating 1930s-inspired noir backdrop.The show follows an aging and financially struggling private investigator in 1930s New York City, who is compelled to confront his past as the city’s legendary superhero.
This web zapping noir show was a challenging one, especially the chroma-keying and digital cleanup. Boon VFX team, with their expertise in compositing delivered 88 chromakeying and other compositing shots and
has been a valuable support to compositing teams across the globe,providing plate prep services.
Jae-seok’s B&B Rules
Jae-seok’s B&B Rules, a Korean reality and variety series, showcases Yoo Jae-suk’s comedic prowess and charm as he manages a guesthouse.The show delves into interactions with guests, daily challenges, and lighthearted moments, seamlessly blending comedy with slice-of-life storytelling.
Our first Korean show, a time-bound show in terms of delivery, was successfully completed by our team working tirelessly around the clock.They made substantial contributions to the compositing process and ensured that our client had a seamless execution in a reality series.
Grey’s Anatomy ( Season 22 )
Grey’s Anatomy: Season 22 continues to follow the doctors at Grey Sloan Memorial Hospital as they tackle intricate medical cases while also navigating the complexities of their personal lives. The season delves into the development of long-standing character arcs, introducing new challenges and exploring themes of resilience, loss, and growth both within and beyond the operating room.
This show had a lot of living up to its name, but the team managed to deliver 118 shots. It was particularly challenging because these shots required approval from the medical team before they were broadcasted. Despite the difficulties, the team had fun delivering the shots.
Trust Me : A False Prophet
Trust Me: A False Prophet is a chilling documentary that follows a cult expert and her videographer husband as they immerse themselves in a vulnerable FLDS community. There, they uncover disturbing evidence about Samuel Bateman, who claims to be the successor to the imprisoned prophet Warren Jeffs.As chilling as it sounds, the team was deeply involved in recreating particular characters by using 2D compositing techniques to add narrative and depth to the footage.
Beef ( Season 2 )
BEEF returns with season 2 with new cast as the series follows a Gen Z couple, Ashley and Austin, who work as lower-level staff at a country club.Their lives take an unexpected turn when they witness a disturbing fight between their millennial boss, Josh (played by Isaac), and his wife, Lindsay (played by Mulligan). As the couple becomes entangled in the unraveling marriage of their general manager, they find themselves drawn into a web of secrets and emotional turmoil.
This show required the intricate and a detailed extension of the country club set. Boon played a crucial role in providing 63 shots and other phone compositing requirements. Additionally, we significantly contributed to supporting compositing teams from other vendors by preparing plates.
Something Very Bad Is Going to Happen ( Season 1 )
Something Very Bad Is Going to Happen is an eerie thriller set in a wedding.The show creates a chilling atmosphere of horror the week before the wedding celebration. Executive produced by the renowned Duffer Brothers,creators of Stranger Things, and directed by Haley Boston, the series is backed by Netflix.
As the saying goes, “With great power comes great responsibility.” This show placed a great burden on us, as we were responsible for delivering over 100 shots, primarily through compositing. These shots ranged from car comps to split screens and even some enhancements for gore effects.
Lucky ( Season 1 )
Lucky is an upcoming crime thriller miniseries created by Jonathan Tropper for Apple TV+. The series stars Anya Taylor-Joy alongside Annette Bening,Timothy Olyphant, and Aunjanue Ellis-Taylor. Adapted from the novel by Marissa Stapley, the series is set to premiere on July 15, 2026.
Boon delivered 219+ shots, with primary contributions by supporting compositing department, the overall visual quality and seamless execution of the series.
Brasil 70: A Saga do Tri ( Season 1 )
Brasil 70: A Saga do Tri is a Netflix Mini-series that revisits the 1970 FIFA World Cup. Soccer icons Pele, Jarzinho, and Carlos Alberto spearhead Brazil’s quest for World Cup glory. Their journey blends on-field brilliance with off-field challenges, capturing the spirit of a nation as they aim for soccer’s ultimate prize.Period dramas are always enjoyable to work on, and the attention to detail is crucial to ensure that we don’t distort the historical accuracy. In this show, preserving authenticity has been particularly challenging, especially when it comes to the crowd and the old television sets.
We took up the challenge with pride and successfully delivered over 58 shots, including FX rain, 17 shots of Monitor comps, and 14 digitally extended crowd shots.
